Viewer Rating
Combines user and critic ratings from four sources
“This film is about the indigenous cultures of Ecuador, of what is past and what is preserved, of destruction and resistance, of persisting in new ways, of music in the villages high up in the Andes, of music in the cities and in a tropical climate among descendants of African slaves. The film is about Earth, about working with Earth, sacred to the indigenous people. An account of beauty that silences, of friendliness, also grief.” (Nestler)
“This film is about the indigenous cultures of Ecuador, of what is past and what is preserved, of destruction and resistance, of persisting in new ways, of music in the villages high up in the Andes, of music in the cities and in a tropical climate among descendants of African slaves. The film is about Earth, about working with Earth, sacred to the indigenous people. An account of beauty that silences, of friendliness, also grief.” (Nestler)
The film's central thesis explicitly promotes progressive ideology through its focus on indigenous land rights, environmental protection, and a critique of external, often colonial or capitalist, exploitation, aligning with systemic critiques.
The film naturally showcases a diverse cast of indigenous people, aligning with its documentary focus. The narrative strongly emphasizes indigenous perspectives, implicitly critiquing external forces that impact their land and culture.
The film portrays Christianity, specifically Catholicism, as a historical force of colonial oppression, used to justify the exploitation of indigenous peoples and their land, and to suppress their native spiritual practices.
The documentary 'Pachamama: Our Land' primarily explores indigenous communities, their connection to the land, and environmental issues. It does not feature any identifiable LGBTQ+ characters or themes, resulting in no specific portrayal to evaluate within its narrative scope.
The movie does not contain any action or adventure elements.
Pachamama: Our Land is a documentary focusing on indigenous communities and their relationship with nature. It does not feature fictional characters or historical figures with pre-established canonical genders that could be subject to a gender swap.
Pachamama: Our Land (1997) is a documentary film. Documentaries feature real individuals and events rather than fictional characters with established canonical races, making the concept of a 'race swap' inapplicable.
Combines user and critic ratings from four sources