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An auditor is going to the city of Zurich, to the branch of a Soviet bank through which the money of the CPSU is transferred. The almighty director of the Central Bank, nicknamed the Mastodon, is thinking about how to fr...
An auditor is going to the city of Zurich, to the branch of a Soviet bank through which the money of the CPSU is transferred. The almighty director of the Central Bank, nicknamed the Mastodon, is thinking about how to fr...
The film's title, 'Code of Dishonor,' indicates a focus on universal moral and ethical themes rather than explicit political ideology, making it impossible to ascertain a specific bias without any plot details.
This 1974 Soviet film features traditional casting without intentional race or gender swaps of roles. Its narrative and framing do not critique traditional identities or center on modern DEI themes, reflecting the historical context of its production.
The film 'Kodeks beshchestiya' does not appear to include any identifiable LGBTQ+ characters or themes in its storyline. Consequently, there is no portrayal to evaluate, leading to an N/A rating for its impact on LGBTQ+ representation.
The movie does not contain any action or adventure elements.
The film "Kodeks beshchestiya" (1993) appears to be an original production, not an adaptation or reboot of existing material with pre-established characters. Consequently, there are no instances of characters whose canonical or historical gender was altered for this film.
There is no widely known source material or historical context for "Kodeks beshchestiya" (1993) that establishes characters' races as different from their on-screen portrayals. No evidence suggests any character was canonically, historically, or widely established as one race and then depicted as another.
Combines user and critic ratings from four sources