5.7
Viewer Rating
Combines user and critic ratings from four sources
Leningrad Cowboys Meet Moses (1994)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 5.7
Overview
After years of fame and misfortune in Mexico, the members of the Leningrad Cowboys decide to return to their native village. Their former manager Vladimir, who now calls himself Moses lead them on their way home.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Judaism: Negative
Overview
After years of fame and misfortune in Mexico, the members of the Leningrad Cowboys decide to return to their native village. Their former manager Vladimir, who now calls himself Moses lead them on their way home.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film offers a deadpan, absurdist satire of charismatic leadership and the human search for meaning, without promoting a specific political ideology or offering an ideologically-driven solution. Its critique is universal rather than partisan.
The movie features a predominantly white core cast, consistent with the established characters of the Finnish band. The narrative is a satirical road movie that does not explicitly critique or negatively portray traditional identities, focusing instead on the absurdities of the journey and cultural encounters.
Secondary
The film portrays a central figure of Judaism, Moses, through the character of Vladimir, who is depicted as a delusional, self-serving, and often incompetent leader. While the film's satire is broad, its consistent portrayal of this figure as foolish and hypocritical, without any counterbalancing respect or nuance for the religious figure itself, can be interpreted as a problematic depiction.
The film 'Leningrad Cowboys Meet Moses' does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on the Leningrad Cowboys band's journey and their manager's eccentricities, without engaging with queer identity or experiences.
The film does not feature any scenes where female characters engage in or win close-quarters physical combat against male opponents. The narrative focuses on a musical journey with comedic and dramatic elements, rather than action or physical confrontations.
The film features original characters created by the director, who maintain their established genders from the previous installment. No characters from prior canon or historical figures are portrayed with a different gender.
The film features original characters created by the director, continuing from a previous installment. There is no evidence of any character being established as one race in prior canon or history and then portrayed as a different race in this film.
Viewer Rating Breakdown
User Ratings
5.6
5.8
Critic Ratings
N/A
N/A
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