Mark Sway is an 11-year-old boy who lives with his mother and brother in a trailer. One day, he and his brother are hanging out when a car pulls over beside them. The driver then sticks a hose in his exhaust and puts the...
Mark Sway is an 11-year-old boy who lives with his mother and brother in a trailer. One day, he and his brother are hanging out when a car pulls over beside them. The driver then sticks a hose in his exhaust and puts the...
The film maintains a neutral stance by balancing a critique of government overreach and ambition within the justice system with the necessity of law enforcement against organized crime, ultimately championing individual resilience and ethical advocacy without promoting a specific political ideology.
The movie features a predominantly white main cast, with some visible diversity in supporting roles, but without explicit DEI-driven recasting of traditionally white characters. The narrative maintains a neutral or positive framing of traditional identities, with DEI themes not being central to the plot.
The Client does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely focused on a legal thriller, thus there is no portrayal to evaluate under the provided rubric.
The movie does not contain any action or adventure elements.
The film "The Client" is an adaptation of John Grisham's novel. All major characters, including Mark Sway, Reggie Love, and Roy Foltrigg, maintain the same gender as established in the source material. No characters canonically established as one gender were portrayed as a different gender.
The film is an adaptation of John Grisham's novel. All major characters, including Mark Sway, Reggie Love, and Roy Foltrigg, are portrayed by actors whose race aligns with their established depiction in the source material. No instances of a character canonically established as one race being portrayed as another are present.
Combines user and critic ratings from four sources