When a young Los Angeles police department, Special Weapons and Tactics (S.W.A.T.) officer called Jack Traven angers retired Atlanta police department bomb squad member Howard Payne, by foiling his attempt at taking host...
When a young Los Angeles police department, Special Weapons and Tactics (S.W.A.T.) officer called Jack Traven angers retired Atlanta police department bomb squad member Howard Payne, by foiling his attempt at taking host...
The film's central conflict, an individual terrorist threatening public safety, is resolved through the celebration of individual heroism and decisive law enforcement action, emphasizing personal responsibility and the upholding of order against a clear external threat. This aligns with right-leaning values of strong defense and individual agency.
The film features visible diversity within its supporting cast, contributing to a neutral representation score. The narrative, however, maintains a traditional framing with no critique of traditional identities, focusing instead on a classic action-thriller plot.
The film "Speed" does not feature any identifiable LGBTQ+ characters or themes. Its narrative is entirely focused on an action-thriller plot, with no subplots or character developments related to queer identity. Therefore, there is no LGBTQ+ portrayal to evaluate.
The film features Annie Porter as the primary female character, who is a passenger and later takes over driving the bus. Her role is focused on survival and assisting the protagonist, not engaging in direct physical combat. No female characters are depicted defeating male opponents in close-quarters physical altercations.
Speed (1994) is an original film with characters created specifically for this movie. There are no pre-existing canonical or historical versions of its characters from source material, previous installments, or real-world history to compare against. Therefore, no gender swaps occurred.
Speed (1994) is an original film with no prior source material, historical figures, or previous installments establishing character races. Therefore, no character could have been canonically or historically established as one race and then portrayed as a different race.
Combines user and critic ratings from four sources