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While English professor Loretta Lawson is attending a conference in Paris, she stays the night in the flat of a friend's acquaintance. She discovers a sleeping man in one of the bedrooms, and the next morning finds the man gone, but the bed soaked with blood. Returning to Cambridge, she begins to suspect her friend's acquaintance, and others on the staff of the college, are involved with the missing (murdered?) man, and decides to investigate for herself.
While English professor Loretta Lawson is attending a conference in Paris, she stays the night in the flat of a friend's acquaintance. She discovers a sleeping man in one of the bedrooms, and the next morning finds the man gone, but the bed soaked with blood. Returning to Cambridge, she begins to suspect her friend's acquaintance, and others on the staff of the college, are involved with the missing (murdered?) man, and decides to investigate for herself.
The film explores individual psychological manipulation and destructive power dynamics within a personal relationship, focusing on human nature and its consequences rather than explicitly promoting a specific political ideology or offering a political solution.
Without specific details regarding the movie's casting, character diversity, or narrative themes, a neutral assessment is made for its DEI characteristics. This indicates no explicit DEI-driven casting or narrative critique of traditional identities is evident based on the provided information.
The film 'A Masculine Ending' is a crime drama centered on a female academic investigating a murder. Based on available information, the narrative does not include any discernible LGBTQ+ characters or themes, thus rendering the portrayal N/A.
The movie does not contain any action or adventure elements.
The film "A Masculine Ending" is an adaptation of Joan Smith's novel. There is no evidence that any character canonically established as one gender in the source material was portrayed as a different gender in the film.
This film is an adaptation of a novel. There is no evidence that any character, established as a specific race in the source material, was portrayed by an actor of a different race in the 1992 film adaptation.
Combines user and critic ratings from four sources