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An artist is painting a sunrise at sea. After a few finishing touches he stands back and admires the painting. The sun immediately commences to rise. From all appearances it becomes very warm as the sun rises, and the artist is seen to throw open the window and fan himself furiously. The climax is reached when the artist rushes from the room and returns with a large tub of water and a pair of tongs. Seizing the sun as it soars in the air he plunges it into the tub, causing a great cloud of steam to rise.
An artist is painting a sunrise at sea. After a few finishing touches he stands back and admires the painting. The sun immediately commences to rise. From all appearances it becomes very warm as the sun rises, and the artist is seen to throw open the window and fan himself furiously. The climax is reached when the artist rushes from the room and returns with a large tub of water and a pair of tongs. Seizing the sun as it soars in the air he plunges it into the tub, causing a great cloud of steam to rise.
The film is an early example of animation, primarily showcasing the novelty of moving drawings. Its focus on artistic creation and technological demonstration is entirely apical, lacking any discernible social or political commentary.
This early trick film features a painter animating simple, generic figures without specific racial or gender identities. The narrative focuses solely on the animation technique, containing no portrayals or critiques of traditional identities or explicit DEI themes.
This early animated short film, 'Animated Painting,' does not contain any discernible LGBTQ+ characters or themes. Its content focuses on simple animation techniques, rendering the net impact on LGBTQ+ portrayal as not applicable.
The movie does not contain any action or adventure elements.
This early animated film features an original drawing of a man's head. There are no pre-existing characters from source material, history, or prior adaptations whose gender could have been swapped.
The 1904 film "Animated Painting" is an early, experimental animation without named characters, source material, or historical figures. There are no pre-established racial identities to be altered.
Combines user and critic ratings from four sources