Viewer Rating
Combines user and critic ratings from four sources
Wan Tin-Sau is an actor who cannot seem to catch a break, since his only professional jobs are limited to being a movie extra. As well as being an actor, he is also the head of his village's community center.
Wan Tin-Sau is an actor who cannot seem to catch a break, since his only professional jobs are limited to being a movie extra. As well as being an actor, he is also the head of his village's community center.
The film focuses on universal themes of individual perseverance, the pursuit of dreams, and the importance of human connection within a challenging industry, rather than promoting a specific political ideology or advocating for systemic change.
The movie, a Hong Kong production, features a cast that is traditional for its cultural context, without explicit DEI-driven casting in the sense of race or gender swaps of traditionally white roles. Its narrative focuses on personal struggle and human connection, without explicitly critiquing traditional identities or making DEI themes central to the story.
The film 'King of Comedy' centers on the aspirations of an actor and his relationship with a sex worker. There are no discernible LGBTQ+ characters or themes within the narrative, leading to no specific portrayal to evaluate.
The movie does not contain any action or adventure elements.
King of Comedy (1999) is an original film featuring characters created specifically for this production. There are no pre-existing canonical or historical characters whose gender could have been altered.
King of Comedy (1999) is an original film and does not adapt characters from prior source material or historical records. All characters were created for this specific film, thus there are no instances of a character's established race being changed.
Combines user and critic ratings from four sources