Center
7.8
Fate/stay night: Heaven's Feel III. Spring Song
(2020)
Political: Center
Diversity: Moderate
Flower's Yearning (1958)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Domoto Kozue, a gifted young ikebana artist, shoulders the legacy of her late father’s school while navigating the pressures of family expectation and an arranged marriage. Her path shifts when she encounters Shinichi, whose presence stirs both inspiration and conflict within the tightly bound world around her. Amid love, rivalry, and the fragile beauty of flowers, Kozue must decide how to shape her own future.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Domoto Kozue, a gifted young ikebana artist, shoulders the legacy of her late father’s school while navigating the pressures of family expectation and an arranged marriage. Her path shifts when she encounters Shinichi, whose presence stirs both inspiration and conflict within the tightly bound world around her. Amid love, rivalry, and the fragile beauty of flowers, Kozue must decide how to shape her own future.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's rating is neutral due to the absence of specific thematic or narrative details that would indicate a leaning towards any particular political ideology.
The movie, likely of Japanese origin, is assessed as having a neutral stance on casting diversity relative to a global 'white/mainstream' baseline, as there's no indication of explicit DEI-driven recasting. Without specific plot details, its narrative is considered to maintain a traditional framing regarding 'white, male' identities, as there's no information suggesting critique.
Secondary
Without specific plot details or character information for 'Flower's Yearning,' an evaluation of its LGBTQ+ portrayal is not possible. Therefore, no identifiable LGBTQ+ characters or themes can be confirmed.
The movie does not contain any action or adventure elements.
This 1958 film is an original Japanese drama. There is no evidence of it being an adaptation of prior source material or a biopic with pre-established characters whose genders could have been altered.
This 1958 Japanese drama does not adapt any source material or historical figures where a character's race was established differently from their on-screen portrayal. There is no evidence of a race swap.
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