Progressive
7.0
No Vietnamese Ever Called Me Nigger
(1968)
Political: Strong Left
Diversity: High
Bade Ghulam Ali Khan Saheb (1964)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Ustad Bade Ghulam Ali Khan was one of the foremost musicians of Hindustani music and was regarded as the best representative of the Patiala Gharana. Possessing an uncommonly rich and mellifluous voice, his forte was Khayals and Thumris. https://archive.org/details/dni.ncaa.SNA-9-VCD
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Hinduism: Positive
Islam: Positive
Overview
Ustad Bade Ghulam Ali Khan was one of the foremost musicians of Hindustani music and was regarded as the best representative of the Patiala Gharana. Possessing an uncommonly rich and mellifluous voice, his forte was Khayals and Thumris. https://archive.org/details/dni.ncaa.SNA-9-VCD
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is a biographical documentary celebrating the life and artistic contributions of a classical musician, focusing on apolitical themes of art, culture, and legacy without promoting any specific political ideology.
The film, a biographical work about an Indian classical musician, features a cast that is naturally representative of its subject matter and cultural context. Its narrative focuses on the life and art of the musician without engaging in explicit critiques of traditional identities or intentional DEI-driven casting.
Secondary
The film showcases the rich tradition of Hindustani classical music, which includes compositions rooted in Hindu devotional themes. By presenting Khan Saheb's masterful and reverent performance of such pieces, the narrative affirms the artistic and spiritual value derived from Hindu traditions.
The film, a biographical documentary about Ustad Bade Ghulam Ali Khan, respectfully portrays Islam as the personal faith of the revered artist. It depicts his religious identity as an integral and dignified aspect of his life, aligning with the overall celebratory tone of the tribute.
The film is a documentary chronicling the life and musical contributions of Ustad Bade Ghulam Ali Khan. It does not include any discernible LGBTQ+ characters or themes, thus having no impact on their portrayal.
The movie does not contain any action or adventure elements.
The film is a biographical documentary about Bade Ghulam Ali Khan, a historically male Indian classical vocalist. There is no evidence or historical record to suggest that the titular character or any other historically established figure in this 1964 biopic was portrayed with a different gender.
This 1964 biographical film about the Indian classical vocalist Bade Ghulam Ali Khan Saheb depicts real historical figures. There is no evidence or historical record to suggest that any character's race was altered from their established historical or canonical depiction.
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