Viewer Rating
Combines user and critic ratings from four sources
A Spanish dancer, in front of an inn in the Spanish mountains, is courted by a smuggler, who asks her to marry him. She agrees. Later, in the dancer's room, another man enters and declares his love for her. The smuggler, entering unnoticed, hears the declaration of love, and a violent argument breaks out between the two rivals for the dancer's affection. The suitors travel to a remote spot in the mountains and fight to the death; the smuggler wins the fight when the other suitor falls over a precipice. Returning to the dancer's room, the smuggler comes to meet his beloved, but the dancer refuses him when she finds out he killed his rival. The smuggler stabs himself in despair. The dancer, running to his corpse, touches his hands, and is repulsed to find them covered with blood.
A Spanish dancer, in front of an inn in the Spanish mountains, is courted by a smuggler, who asks her to marry him. She agrees. Later, in the dancer's room, another man enters and declares his love for her. The smuggler, entering unnoticed, hears the declaration of love, and a violent argument breaks out between the two rivals for the dancer's affection. The suitors travel to a remote spot in the mountains and fight to the death; the smuggler wins the fight when the other suitor falls over a precipice. Returning to the dancer's room, the smuggler comes to meet his beloved, but the dancer refuses him when she finds out he killed his rival. The smuggler stabs himself in despair. The dancer, running to his corpse, touches his hands, and is repulsed to find them covered with blood.
The film's central subject matter, a love tragedy, is inherently apolitical, focusing on universal human emotions and dramatic narrative rather than engaging with specific political ideologies or societal critiques.
This early 20th-century film features traditional casting with white European actors, consistent with the norms of its production era. Its narrative focuses on a dramatic plot without engaging in social commentary or critiques of traditional identities, reflecting a neutral or positive framing of such identities.
The film 'A Love Tragedy in Spain' by Georges Méliès does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses exclusively on a heterosexual love triangle, leading to a determination of N/A for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
As an early silent film by Georges Méliès, "A Love Tragedy in Spain" (1908) features characters original to its production or archetypes without pre-established canonical genders from prior source material or adaptations. Thus, no gender swap can be identified.
This 1908 silent film by Georges Méliès is an original work from an era predating extensive character canonization. There is no evidence of prior source material or historical figures with established racial identities that could be subject to a race swap.
Combines user and critic ratings from four sources