Leans Traditional
0.0
A New Death Penalty
(1907)
Political: Center
Diversity: Low
The Fake Russian Prophet (1904)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
In the interior of a small Russian cottage dwells a peasant with the reputation of being able to foretell future events. Alternatively, a Japanese soldier and a Russian General visit him and ask him about the outcome of the war both their countries are engaged at. One after the other, both men are shown visions where their respective countries win, and both give the peasant a big sum of money for his services.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
In the interior of a small Russian cottage dwells a peasant with the reputation of being able to foretell future events. Alternatively, a Japanese soldier and a Russian General visit him and ask him about the outcome of the war both their countries are engaged at. One after the other, both men are shown visions where their respective countries win, and both give the peasant a big sum of money for his services.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter, the exposure of a 'fake prophet' and the universal condemnation of deception, lacks an inherent political valence that aligns with either left or right ideologies, resulting in a neutral rating.
The movie, consistent with its historical context, features traditional casting and narrative framing. It does not incorporate modern diversity, equity, and inclusion themes or critiques of traditional identities.
Secondary
As 'The Fake Russian Prophet' is a fictional film title without available plot or character details, it is impossible to assess any LGBTQ+ portrayal. Therefore, the film receives an N/A rating due to the absence of identifiable LGBTQ+ content.
The movie does not contain any action or adventure elements.
The film "The Fake Russian Prophet" (1904) is an original trick film by Georges Méliès. It does not adapt pre-existing source material with established characters or depict historical figures, thus lacking a baseline for gender comparison.
This 1904 Georges Méliès film is a silent, short, and likely original work. There is no evidence of pre-existing source material or historical figures with established racial identities that would allow for a race swap as defined.
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