Leans Traditional
0.0
A New Death Penalty
(1907)
Political: Center
Diversity: Low
Mr. Dauber and the Whimsical Picture (1905)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Mr. Dauber, a painter very favorably known, receives a visit Mr. Pierrot, a white clown enjoying a popularity as wide-spread as that of the painter himself, who comes to request a sitting for his portrait, The painter sets out promptly to execute his order, and in a few minutes he sketches upon a blackboard the portrait of his new patron. Hardly has he finished when the painting, nothing but that of a jumping-jack, begins to move its arms and legs and afterwards springs out of the frame. There follows between the three an irresistibly comic scene during which a number of amusing incidents take place, producing bursts of laughter from the audience.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Mr. Dauber, a painter very favorably known, receives a visit Mr. Pierrot, a white clown enjoying a popularity as wide-spread as that of the painter himself, who comes to request a sitting for his portrait, The painter sets out promptly to execute his order, and in a few minutes he sketches upon a blackboard the portrait of his new patron. Hardly has he finished when the painting, nothing but that of a jumping-jack, begins to move its arms and legs and afterwards springs out of the frame. There follows between the three an irresistibly comic scene during which a number of amusing incidents take place, producing bursts of laughter from the audience.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter of whimsical magic and artistic illusion, characteristic of Georges Méliès, is inherently apolitical and does not present a discernible ideological agenda or societal critique.
The film, a product of its early 20th-century origins, features traditional casting practices typical of its era, without intentional diversity-driven recasting. Its narrative focuses on spectacle and fantasy, not engaging in critiques of traditional identities or explicit DEI themes.
Secondary
This early 20th-century film by Georges Méliès, a pioneer of special effects and fantastical narratives, does not feature any identifiable LGBTQ+ characters or themes. The cinematic conventions and social context of its era meant such portrayals were not present in its storytelling, resulting in no depiction.
The movie does not contain any action or adventure elements.
The provided film title is fictional and does not correspond to any known work. Without established source material or prior canon, no character's gender could have been previously defined, making a gender swap impossible.
The film is an original work from 1905, predating the concept of established character races in prior canon for adaptation. No characters have a pre-existing, canonically defined race to be swapped.
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