1914: Milo Thatch, grandson of the great Thaddeus Thatch works in the boiler room of a museum. He knows that Atlantis was real, and he can get there if he has the mysterious Shephards journal, which can guide him to Atla...
1914: Milo Thatch, grandson of the great Thaddeus Thatch works in the boiler room of a museum. He knows that Atlantis was real, and he can get there if he has the mysterious Shephards journal, which can guide him to Atla...
The film's central conflict and resolution champion the protection of an ancient, isolated culture from external exploitation and militaristic greed, aligning strongly with anti-colonial and cultural preservation themes.
Atlantis: The Lost Empire features a diverse ensemble cast with prominent non-white and female characters, all original creations. The narrative subtly critiques colonial exploitation through the actions of the expedition's antagonists, while the white male protagonist champions understanding and preservation of the Atlantean culture.
Atlantis: The Lost Empire does not feature any identifiable LGBTQ+ characters or themes. The narrative and character portrayals are devoid of any explicit or implicit queer representation, resulting in a 'N/A' rating for LGBTQ+ impact.
The film features Princess Kida Nedakh and Helga Sinclair, both capable female characters. While Kida participates in physical skirmishes using a spear, no clear scene depicts her individually defeating one or more male opponents in close-quarters combat. Helga primarily uses firearms, and her direct physical confrontation with a male opponent results in her defeat.
Atlantis: The Lost Empire is an original animated film. All characters were created specifically for this movie, meaning there is no prior source material, historical record, or previous installment to establish a canonical gender for any character that could then be swapped.
Atlantis: The Lost Empire is an original animated film. All characters were created for this specific movie, meaning there is no prior source material or historical record to establish their race before this film's release. Therefore, no race swap can be identified.
Combines user and critic ratings from four sources