Viewer Rating
Combines user and critic ratings from four sources
An outcast in a prominent fashion company, a sweet-hearted and unattractive assistant falls hopelessly in love with her boss....
An outcast in a prominent fashion company, a sweet-hearted and unattractive assistant falls hopelessly in love with her boss....
The film's central critique of superficial beauty standards and workplace discrimination based on appearance, championing authenticity and inner worth, aligns with progressive values despite the individual transformation narrative.
This Colombian telenovela features a naturally diverse Latin American cast. Its narrative is a profound and central critique of superficial beauty standards, class distinctions, and the objectification of women in a male-dominated corporate setting, championing the underdog and challenging traditional societal norms.
Yo soy Betty, la fea features Hugo Lombardi, a flamboyant fashion designer whose implied gay identity is a significant part of his character. While his portrayal includes some stereotypes and is often played for comedic effect, it is not primarily malicious or degrading. The show integrates his sexuality as a characteristic of a complex individual, neither deeply exploring nor condemning it, leading to a largely neutral net impact.
The movie does not contain any action or adventure elements.
As an original telenovela, "Yo soy Betty, la fea" introduced all its characters for the first time. There is no prior source material or established canon from which character genders could have been swapped.
This series is the original production for its characters, meaning there was no prior source material, previous installment, or historical record to establish character races before this show's creation. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources