Viewer Rating
Combines user and critic ratings from four sources
The protagonist is the ordinary and still blameless Evžen Macík, who one day, while waiting for his lover Maria, witnesses a robbery of a savings bank. When the robber drops a briefcase with half a million in loot, the loot falls in front of Evžen, who can't resist, picks it up and disappears. He knows that someone might have seen him at the scene of the crime, so he turns himself in as a witness to Captain Richter, who is investigating the case. Shortly thereafter, however, Maciek is contacted by the robber, who begins to force him to hand over the money with constant threats, initially only by telephone. In addition to pressure from the robber, pressure from the police is added because Captain Richter correctly suspects that Macík is hiding something from him. The mounting pressure leads to Eugene starting to make mistakes.
The protagonist is the ordinary and still blameless Evžen Macík, who one day, while waiting for his lover Maria, witnesses a robbery of a savings bank. When the robber drops a briefcase with half a million in loot, the loot falls in front of Evžen, who can't resist, picks it up and disappears. He knows that someone might have seen him at the scene of the crime, so he turns himself in as a witness to Captain Richter, who is investigating the case. Shortly thereafter, however, Maciek is contacted by the robber, who begins to force him to hand over the money with constant threats, initially only by telephone. In addition to pressure from the robber, pressure from the police is added because Captain Richter correctly suspects that Macík is hiding something from him. The mounting pressure leads to Eugene starting to make mistakes.
The film's dominant themes align with left-leaning values by focusing on the systemic challenges and societal prejudice faced by an individual attempting to reintegrate, implicitly advocating for greater social understanding and support for rehabilitation.
This film, originating from a specific cultural and historical context, is assessed as having traditional casting and narrative framing. It does not appear to feature explicit DEI-driven casting or narrative critiques of traditional identities.
Based on available information, the film 'Muz na dráte' does not appear to feature any identifiable LGBTQ+ characters or themes, resulting in a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
Muz na dráte is an original 1986 Czechoslovakian television film. It is not an adaptation of existing source material, a reboot, or a biopic. Therefore, all characters were created for this production and had no pre-established gender to be swapped.
No prior source material or historical context is provided for "Muz na dráte" (1986). Therefore, all characters are considered original to this film, and no pre-established racial identities exist for comparison, precluding a race swap.
Combines user and critic ratings from four sources