Five bored, occasionally high and always ineffective Vermont state troopers must prove their worth to the governor or lose their jobs. After stumbling on a drug ring, they plan to make a bust, but a rival police force is out to steal the glory.
Five bored, occasionally high and always ineffective Vermont state troopers must prove their worth to the governor or lose their jobs. After stumbling on a drug ring, they plan to make a bust, but a rival police force is out to steal the glory.
The film is a workplace comedy focused on a group of unconventional state troopers trying to save their jobs and station. It lacks a strong ideological context and its solution involves preserving an existing, albeit flawed, local institution through individual initiative rather than promoting a specific political agenda.
The film features a traditional cast, primarily composed of white males, without any intentional race or gender swaps of established roles. Its narrative focuses on comedic antics and does not critique or challenge traditional identities, nor does it incorporate explicit DEI themes.
The film features instances where homosexuality is used as a comedic punchline or a tool for humiliation and degradation. These depictions lack dignity or complexity, presenting queer identity as a source of mockery rather than affirmation, resulting in a problematic overall portrayal.
The movie does not contain any action or adventure elements.
Super Troopers (2001) is an original film with characters created specifically for it. There are no pre-existing canonical or historical characters whose gender could have been altered.
Super Troopers (2001) is an original film with characters created for this specific production. There is no prior source material, historical basis, or previous installment from which character races could have been established and subsequently changed.
Combines user and critic ratings from four sources