Viewer Rating
Combines user and critic ratings from four sources
A woman mysteriously develops psychic powers and the ability to contact spirits of the dead. Tōru, her avaricious husband, convinces the woman to hold seances, charging people money to contact their dead. When the King of Hell learns of this business, he kidnaps the wife. Attempting to rescue his wife, Tōru travels to the underworld with a Chinese monk. On the journey they encounter scenes of horror and sexual perversion.
A woman mysteriously develops psychic powers and the ability to contact spirits of the dead. Tōru, her avaricious husband, convinces the woman to hold seances, charging people money to contact their dead. When the King of Hell learns of this business, he kidnaps the wife. Attempting to rescue his wife, Tōru travels to the underworld with a Chinese monk. On the journey they encounter scenes of horror and sexual perversion.
The film's likely genre (adult entertainment) and the absence of specific plot details indicate a primary focus on sexual themes and entertainment, rather than promoting an explicit political ideology, resulting in a neutral rating.
The film features a cast that, from a global perspective, presents visible diversity without explicitly engaging in race or gender swaps of traditionally white roles. Its narrative does not appear to critically portray traditional identities or center explicit DEI themes.
A comprehensive evaluation of the film's portrayal of LGBTQ+ characters and themes cannot be performed due to the unavailability of specific content details. Therefore, no depiction is identified.
The movie does not contain any action or adventure elements.
This 1989 film is an original production with no indicated prior source material, historical figures, or legacy characters. Therefore, all characters are considered original to the film, and no gender swap can be identified based on the provided definition.
This 1989 Japanese film does not adapt any known source material or historical figures with established racial identities that differ from their on-screen portrayal. There is no indication of a character's race being changed from a prior canon.
Combines user and critic ratings from four sources