Traditional
7.6
San Francisco
(1936)
Political: Leans Right
Diversity: Low
Jean and the Waif (1910)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
A touching story of a pampered dog and an abused orphan forced to go out into the world alone.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
A touching story of a pampered dog and an abused orphan forced to go out into the world alone.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film focuses on universal themes of compassion, loyalty, and justice, resolving the plight of a vulnerable child through individual acts of kindness rather than engaging in broader political commentary.
This silent film from 1910 features traditional casting, predominantly with white actors, consistent with the industry standards of its time. The narrative focuses on its plot without incorporating explicit DEI themes or critiquing traditional identities.
Secondary
The film, typical of its era and genre, implicitly champions virtues such as compassion, charity, and care for the vulnerable through the plight of the waif. These values are deeply aligned with and affirmed by a broadly Christian moral framework, positioning the narrative as affirming of these virtues.
Jean and the Waif is a 1913 silent drama centered on a dog protecting a young girl. The narrative does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in an N/A rating for LGBTQ+ representation.
The movie does not contain any action or adventure elements.
This 1910 silent film is an original production, not an adaptation of existing material with pre-established character genders, nor does it feature historical figures. Therefore, no characters are portrayed with a different gender than their canonical or historical baseline.
This is an original film from 1910, not an adaptation or a biopic. There are no prior canonical or historical depictions of its characters to establish a baseline race for comparison. Therefore, no character could have been race-swapped.
More Like This
Leans Traditional
8.3
Greed
(1924)
Political: Center
Diversity: Low
Leans Traditional
7.9
Maytime
(1937)
Political: Center
Diversity: Low
Leans Traditional
7.3
It Happens Every Spring
(1949)
Political: Center
Diversity: Low
Center
6.7
Emma
(1932)
Political: Center
Diversity: Low
Leans Traditional
6.8
Seventh Heaven
(1937)
Political: Center
Diversity: Low
Traditional
7.0
Hell's Angels
(1930)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
Red Dust
(1932)
Political: Center
Diversity: Low
Leans Traditional
6.6
New Moon
(1940)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Talk of the Town
(1942)
Political: Center
Diversity: Low
Leans Traditional
7.6
Rose Marie
(1936)
Political: Center
Diversity: Low
Traditional
7.9
Mr. Smith Goes to Washington
(1939)
Political: Leans Right
Diversity: Low
Traditional
8.2
The Public Enemy
(1931)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Bram Stoker's Dracula
(1992)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mrs. Doubtfire
(1993)
Political: Center
Diversity: Low
Traditional
7.6
Risky Business
(1983)
Political: Leans Right
Diversity: Low
Traditional
8.7
On the Waterfront
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
Evil Dead II
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.0
Blue Velvet
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.4
Trees Lounge
(1996)
Political: Center
Diversity: Low