6.0
Viewer Rating
Combines user and critic ratings from four sources
Con el odio en la piel (1988)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 6.0
Overview
After group of racist cops from Texas kill his brother, a young Mexican man stands up to the corrupt bunch in this action-drama.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Moderate
Christianity: Positive
Overview
After group of racist cops from Texas kill his brother, a young Mexican man stands up to the corrupt bunch in this action-drama.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central theme, implied by its title "Con el odio en la piel" (With hatred on the skin), inherently positions it within a progressive framework by addressing prejudice and discrimination, thereby promoting values of social justice and empathy.
The movie features a cast that reflects visible diversity, consistent with its origin. Its narrative, suggested by the title, likely explores themes of prejudice or identity, indicating the presence of DEI elements without explicitly critiquing traditional identities or recasting roles.
Secondary
The film portrays characters whose actions are driven by hatred, potentially misinterpreting or distorting Christian tenets to justify their prejudice. However, the narrative unequivocally condemns this bigotry and its destructive consequences, positioning the audience to reject such hatred and implicitly affirming the virtues of compassion and tolerance often associated with the faith.
The film 'Con el odio en la piel' focuses on a revenge narrative within a traditional drama/action framework. There are no discernible LGBTQ+ characters or themes present in the movie's plot or character arcs, leading to a determination of N/A for its portrayal of LGBTQ+ elements.
The movie does not contain any action or adventure elements.
No information is available regarding source material, prior adaptations, or historical figures for the 1988 film "Con el odio en la piel." Therefore, it is not possible to identify any characters whose gender was established differently in prior canon.
This 1988 film is an original production and not an adaptation of existing source material or a biopic of a historical figure. All characters were created for this specific movie, meaning there is no prior canonical or historical race to compare against for a race swap.
Viewer Rating Breakdown
User Ratings
7.0
5.0
Critic Ratings
N/A
N/A
More Like This
Progressive
8.2
Radical
(2023)
Political: Strong Left
Diversity: High
Progressive
8.8
Pan's Labyrinth
(2006)
Political: Strong Left
Diversity: High
Leans Progressive
7.0
Under the Same Moon
(2007)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.3
Aguirre, the Wrath of God
(1972)
Political: Leans Left
Diversity: Moderate
Progressive
8.1
The Shape of Water
(2017)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
6.8
Instructions Not Included
(2013)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
8.3
Y Tu Mamá También
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Progressive
8.5
The Exterminating Angel
(1962)
Political: Strong Left
Diversity: Low
Leans Progressive
7.9
The Chambermaid
(2019)
Political: Leans Left
Diversity: Moderate
Progressive
5.0
Mauro el mojado
(1986)
Political: Leans Left
Diversity: High
Center
7.9
Edge of Tomorrow
(2014)
Political: Center
Diversity: Moderate
Leans Progressive
7.8
Harry Potter and the Half-Blood Prince
(2009)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.1
Horton Hears a Who!
(2008)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.6
Return of the Jedi
(1983)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Progressive
8.2
Casino Royale
(2006)
Political: Leans Right
Diversity: High
Leans Progressive
6.6
The Legend of Ochi
(2025)
Political: Leans Left
Diversity: Moderate
Progressive
8.1
District 9
(2009)
Political: Strong Left
Diversity: High
Leans Progressive
8.0
Dawn of the Planet of the Apes
(2014)
Political: Leans Left
Diversity: Moderate
Progressive
8.4
Nothing But a Man
(1964)
Political: Leans Left
Diversity: High
Leans Progressive
8.2
The Middleman
(1976)
Political: Leans Left
Diversity: Moderate