Two sisters return home after a stay in a mental institution, only to face disturbing events and a strained relationship with their stepmother. As eerie occurrences unfold, dark family secrets begin to surface, blurring the line between reality and nightmare.
Two sisters return home after a stay in a mental institution, only to face disturbing events and a strained relationship with their stepmother. As eerie occurrences unfold, dark family secrets begin to surface, blurring the line between reality and nightmare.
The film's central focus on psychological trauma, grief, and family dysfunction is inherently apolitical, exploring universal human experiences without advocating for or against any specific political ideology or societal structure.
A Tale of Two Sisters features an entirely Korean cast, which is authentic to its cultural setting and does not involve explicit DEI-driven casting changes. The narrative focuses on psychological horror and family dynamics, without engaging in critical portrayals of traditional identities or making DEI themes central to its story.
A Tale of Two Sisters is a psychological horror film centered on family dynamics, trauma, and mental illness. The narrative does not include any identifiable LGBTQ+ characters, relationships, or themes, resulting in no depiction.
The movie does not contain any action or adventure elements.
The film "A Tale of Two Sisters" features original characters created for its specific narrative, or original interpretations of a folktale without pre-established canonical genders. There are no instances of characters being portrayed with a different gender than their source material or historical record.
This South Korean film is an adaptation of a traditional Korean folk tale, featuring Korean characters portrayed by Korean actors. There is no evidence of any character being established as one race in the source material and then portrayed as a different race in the film.
Combines user and critic ratings from four sources