Detective Ma Seok-do changes his affiliation from the Geumcheon Police Station to the Metropolitan Investigation Team, in order to eradicate Japanese gangsters who enter Korea to commit heinous crimes.
Detective Ma Seok-do changes his affiliation from the Geumcheon Police Station to the Metropolitan Investigation Team, in order to eradicate Japanese gangsters who enter Korea to commit heinous crimes.
The film champions a 'tough on crime' approach through its heroic protagonist, emphasizing individual responsibility and the effectiveness of decisive, often extra-legal, police action to combat crime, aligning with conservative 'law and order' themes.
The movie features a cast predominantly from its cultural setting, without engaging in explicit race or gender swaps of traditionally white roles. Its narrative focuses on action and crime, portraying traditional identities neutrally or positively without any explicit DEI critique.
The film 'The Roundup: No Way Out' is an action-crime movie centered on police investigations and combating criminal organizations. It does not feature any identifiable LGBTQ+ characters or themes, nor does it explore any aspects related to queer identity or experiences within its narrative.
The film's action sequences predominantly feature male characters in physical combat. No female characters are depicted engaging in or winning close-quarters physical fights against one or more male opponents.
This film is a direct sequel in an original film series. It continues the narrative with established characters maintaining their canonical gender, and new characters introduced are not gender-swapped versions of previously existing ones. No instances of gender swapping are present.
This film is a sequel in an original South Korean film series. All major characters maintain their established racial and ethnic identities from previous installments. There are no instances of characters being portrayed by actors of a different race than previously established or from source material.
Combines user and critic ratings from four sources