On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
The film's central conflict revolves around individual corruption within law enforcement and a high-stakes survival scenario, emphasizing pragmatic action and self-preservation through an unlikely alliance, rather than promoting a specific political ideology.
The movie features a visibly diverse cast without explicitly recasting traditionally white roles for DEI purposes. Its narrative focuses on an action thriller plot, presenting traditional identities neutrally without explicit critique or making DEI themes central to the story.
The film 'Assault on Precinct 13' does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely focused on an action-thriller plot involving a police precinct under siege, with no elements pertaining to queer identity or experiences.
The film features female characters in supporting roles during a siege, but none are depicted engaging in or winning close-quarters physical combat against male opponents. Their involvement in action scenes is primarily through the use of firearms.
The 2005 film is a remake of the 1976 original, but its main characters are largely new or re-imagined without directly changing the gender of established characters from the source material. No canonical male or female character from the original is portrayed as a different gender in the remake.
The 2005 film is a remake of the 1976 original. While it features characters in analogous roles, these are new characters with different names rather than direct recasts of established characters from the source material with actors of a different race.
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