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Combines user and critic ratings from four sources
Charles Prince is anxious to meet with Andree Pascal, the pretty and charming woman who works at an office. He speaks with her on the phone, but she passes the call to plump Gabrielle Lange.
Charles Prince is anxious to meet with Andree Pascal, the pretty and charming woman who works at an office. He speaks with her on the phone, but she passes the call to plump Gabrielle Lange.
This early silent comedy focuses on an apolitical domestic misunderstanding involving a telephone, offering no discernible political commentary or ideological stance.
This early 20th-century silent comedy features traditional casting typical of its era, with no visible diversity or intentional race/gender swaps. The narrative focuses on comedic situations without critiquing or explicitly engaging with traditional identities or DEI themes.
The 1910 silent comedy 'Rigadin au téléphone' does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the comedic exploits of the character Rigadin, typical of early 20th-century farcical shorts, without engaging with queer identity or experiences.
The movie does not contain any action or adventure elements.
This 1913 silent short film features the recurring character Rigadin, consistently portrayed as male by actor Charles Prince. There is no evidence of any character, canonical or historical, being portrayed with a different gender than originally established.
Rigadin au téléphone (1913) is an original silent film featuring the character Rigadin. There is no prior source material, historical record, or established canon that defines the race of any character before this film's release, making a race swap impossible by definition.
Combines user and critic ratings from four sources