Leans Traditional
10.0
Rigadin au téléphone
(1913)
Political: Center
Diversity: Low
Rigadin Napoleon (1913)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Rigadin's girlfriend is a Bonapartist and wishes Rigadin was more Napoleonic. He dreams that he is Napoleon, inspecting and decorating his troops, before leading them in the Battle of the Pyramids.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Rigadin's girlfriend is a Bonapartist and wishes Rigadin was more Napoleonic. He dreams that he is Napoleon, inspecting and decorating his troops, before leading them in the Battle of the Pyramids.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter, a comedic narrative of mistaken identity, is inherently apolitical, and the plot focuses on personal, farcical situations rather than promoting or critiquing any specific political ideology.
This early 20th-century silent comedy features traditional casting practices typical of its era, with no visible diversity or intentional race or gender swaps. The narrative maintains a neutral or positive framing of traditional identities, without engaging in any critique or explicit DEI themes.
Secondary
Rigadin Napoleon, a silent French comedy from 1910, does not contain any discernible LGBTQ+ characters or themes. The narrative focuses on typical comedic situations of its era, without engaging with queer identities or experiences. Therefore, the film's net impact on LGBTQ+ portrayal is N/A.
The movie does not contain any action or adventure elements.
The film features the male character Rigadin dreaming he is Napoleon Bonaparte, a historical male figure. There is no evidence of any character, canonical or historical, being portrayed on screen as a different gender.
This 1913 silent film features fictional character Rigadin and historical figure Napoleon Bonaparte. Both characters were portrayed by white actors, consistent with their established canonical and historical races, respectively. There is no evidence of any character being portrayed by an actor of a different race than their established or historical race.
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