PhiloWeeds (2005–2012)
Bias Rating
Analyzing...
Leans Left
Viewer Rating
Rating: 7.7
Overview
After the unexpected death of her husband, a suburban mom resorts to selling weed to support her family....
Starring Cast
Where to watch
Philo
Prime Video
Apple TVBias Dimensions
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Overview
After the unexpected death of her husband, a suburban mom resorts to selling weed to support her family....
Starring Cast
Where to watch
PhiloPrime VideoApple TVDetailed Bias Analysis
Analyzing...
Leans Left
Primary
The show's central premise and ongoing narrative consistently critique drug prohibition and suburban hypocrisy, which are themes strongly associated with progressive discourse. While it features individualistic entrepreneurship, this is presented as a subversive response to a flawed system rather than an endorsement of traditional free-market principles.
The movie 'Weeds' features a diverse ensemble cast, with various racial backgrounds represented in significant roles. Its narrative explores themes of rehabilitation and societal challenges faced by ex-convicts, without explicitly critiquing traditional identities or making DEI themes central to its core message.
Secondary
Weeds features LGBTQ+ characters like Jill Price-Gray, whose lesbian relationship is normalized, and Andy Botwin, whose sexual fluidity is explored. While Andy's experiences are sometimes comedic, the show integrates these identities without overt affirmation or denigration, resulting in a largely neutral portrayal where queer identity is present but not central to the narrative's core message.
The movie does not contain any action or adventure elements.
Weeds is an original television series, not an adaptation or reboot of existing material. All characters were created for the show, meaning there are no pre-established canonical characters whose gender could have been swapped.
Weeds is an original television series, not an adaptation of pre-existing material or historical events. All characters were created for the show, meaning there is no prior canonical or historical racial depiction to be altered.
Viewer Rating Breakdown
7.7
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.9
7.5
Critic Ratings
N/A
N/A
More Like This
Strong Left
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Left
8.5
Three Billboards Outside Ebbing, Missouri
(2017)
Political: Center
Diversity: High
LGBTQ: Neutral
Strong Left
8.4
Knives Out
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Neutral
Leans Left
7.8
Challengers
(2024)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Left
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Left
8.2
Glengarry Glen Ross
(1992)
Political: Strong Left
Diversity: Low
Leans Left
7.8
Inside Man
(2006)
Political: Leans Left
Diversity: Moderate
Strong Left
8.3
Killers of the Flower Moon
(2023)
Political: Strong Left
Diversity: High
Leans Left
6.8
The Other Guys
(2010)
Political: Strong Left
Diversity: Moderate
Leans Left
8.1
Traffic
(2000)
Political: Leans Left
Diversity: Moderate
Center
7.4
O Brother, Where Art Thou?
(2000)
Political: Center
Diversity: Moderate
Leans Left
8.6
The Great Dictator
(1940)
Political: Leans Left
Diversity: Moderate
Leans Left
7.1
Infinitely Polar Bear
(2014)
Political: Center
Diversity: High
Strong Left
7.7
Sorry to Bother You
(2018)
Political: Strong Left
Diversity: High
Leans Left
6.7
Eddington
(2025)
Political: Center
Diversity: High
Leans Left
7.5
Training Day
(2001)
Political: Leans Left
Diversity: Moderate
Strong Left
7.7
Hairspray
(2007)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Left
8.2
Anora
(2024)
Political: Strong Left
Diversity: Moderate
Strong Left
7.1
My Oxford Year
(2025)
Political: Center
Diversity: High
LGBTQ: Positive
Leans Left
7.1
King Ivory
(2024)
Political: Leans Left
Diversity: Moderate