Four interlocking stories connected by a single gun converge at the end to reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled ma...
Four interlocking stories connected by a single gun converge at the end to reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled ma...
The film is Left-Leaning due to its pervasive critique of xenophobia, cultural misunderstanding, and the human cost of borders and post-9/11 paranoia, consistently advocating for empathy and interconnectedness over division.
Babel showcases significant cultural and national diversity through its multi-narrative structure, with casting that authentically reflects the characters' origins. The film explores universal themes of communication and interconnectedness across different societies, rather than focusing on explicit critiques of traditional identities or DEI-driven narrative elements.
The film "Babel" does not feature any identifiable LGBTQ+ characters or themes within its multi-narrative structure. The various storylines, spanning Morocco, Japan, Mexico, and the United States, focus on themes of communication, cultural barriers, and human connection without incorporating queer identities or experiences.
The movie does not contain any action or adventure elements.
Babel is an original screenplay featuring new characters created for the film. There are no pre-existing characters from source material, history, or prior installments whose gender could have been altered.
Babel is an original film with an original screenplay and characters. There is no prior source material, historical figures, or established canon for its characters, meaning no character's race could have been pre-established and subsequently changed.
Combines user and critic ratings from four sources