In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
The film's immersive depiction of the brutal realities of frontier expansion, the exploitation of natural resources, and the violent displacement of indigenous peoples aligns with anti-colonial and environmentalist critiques, even as its central narrative focuses on individual survival and revenge.
The movie incorporates visible diversity through its authentic casting and portrayal of Native American characters, who play a significant role in the historical narrative. While it subtly addresses the impact of colonial expansion, the film does not explicitly critique traditional identities or center its narrative around explicit DEI themes.
The film portrays Christian adherents, particularly the frontiersmen, as hypocritical and brutal, using their nominal faith to justify greed and violence. The narrative highlights the stark contrast between their actions and any stated Christian values, offering no significant positive counter-narrative for the faith itself.
The Revenant focuses on themes of survival, revenge, and the harsh realities of the American frontier. The film does not include any discernible LGBTQ+ characters or themes, resulting in no portrayal to evaluate within the scope of this framework.
The film does not feature any female characters engaging in direct physical combat against male opponents. Female characters are present but are not depicted in significant action or combat roles.
The film is based on a novel and historical accounts of Hugh Glass. All major characters, including Hugh Glass, John Fitzgerald, and Captain Andrew Henry, maintain their historically or canonically established male gender in the on-screen portrayal.
The film is based on a novel inspired by real historical figures. All main characters, whether historical or fictionalized for the film, are portrayed by actors whose race aligns with the established or intended racial identity of the character. No character canonically, historically, or widely established as one race is portrayed as a different race.
Combines user and critic ratings from four sources