Leans Traditional
8.5
Cinema Paradiso
(1988)
Political: Center
Diversity: Low
Marathon (1930)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
A heated sporting rivalry divides Giorgio Roberti and Fausto Renzi, both capable marathon runners. After a defeat the latter contemplates abandoning competitive sports, but is convinced by Silvia Delotti, daughter of the sports organizer of the "Aurora", to return to his father's "stable". The rivalry thus also becomes sentimental between Giorgio, already in love with Silvia, and Fausto.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
A heated sporting rivalry divides Giorgio Roberti and Fausto Renzi, both capable marathon runners. After a defeat the latter contemplates abandoning competitive sports, but is convinced by Silvia Delotti, daughter of the sports organizer of the "Aurora", to return to his father's "stable". The rivalry thus also becomes sentimental between Giorgio, already in love with Silvia, and Fausto.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict, the defense of a free city-state against an invading empire, champions solutions rooted in national defense, military strength, and the preservation of traditional liberty, aligning with right-leaning values.
Based solely on the provided title and director, without any details regarding casting, character diversity, or narrative themes, it is not possible to factually assess the movie's DEI characteristics. Assuming a default state due to the absence of information, the movie is evaluated as not explicitly demonstrating DEI elements in its representation or narrative framing.
Secondary
Based on available information, 'Marathon' by Nicola Fausto Neroni does not depict any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate regarding queer representation.
The movie does not contain any action or adventure elements.
Information regarding specific source material, historical figures, or prior canonical character genders for the 1930 film "Marathon" is not readily available to determine if any character's gender was altered from an established baseline. Therefore, no gender swap can be confirmed.
The prompt does not provide specific character names or source material for "Marathon" (1930) to establish any character's canonical or historical race. Without this information, it is not possible to identify any instance of a race swap.
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