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Would-be writer Ryunosuke Chagawa is still living across the street from Norifumi Suzuki and his auto repair shop, though now he shares his home with Junnosuke, an orphan he's taken under his wing at the urging of pretty Hiroi, who continues to manage a nearby tavern. Chagawa dreams of publishing a successful novel and settling down with Hiroi and Junnosuke, but his day job running the candy store keeps him busy, and Hiroi mistakes his tight schedule for a lack of interest in her. Hiroi has also embarked on a secret career as a burlesque dancer, which isn't doing much to improve her opinion of men. At the Suzuki household, seven-year-old Ippei isn't happy to be sharing the house with a guest, his distant cousin Mika who is the same age but far more demanding. Mutsuko, the apprentice female auto mechanic, is still staying with the Suzukis, and she's becomes the object of the affections of Takeo, a downbeat young man who is studying cooking.
Would-be writer Ryunosuke Chagawa is still living across the street from Norifumi Suzuki and his auto repair shop, though now he shares his home with Junnosuke, an orphan he's taken under his wing at the urging of pretty Hiroi, who continues to manage a nearby tavern. Chagawa dreams of publishing a successful novel and settling down with Hiroi and Junnosuke, but his day job running the candy store keeps him busy, and Hiroi mistakes his tight schedule for a lack of interest in her. Hiroi has also embarked on a secret career as a burlesque dancer, which isn't doing much to improve her opinion of men. At the Suzuki household, seven-year-old Ippei isn't happy to be sharing the house with a guest, his distant cousin Mika who is the same age but far more demanding. Mutsuko, the apprentice female auto mechanic, is still staying with the Suzukis, and she's becomes the object of the affections of Takeo, a downbeat young man who is studying cooking.
The film is rated neutral as its central focus is on universal human experiences, community, and family values in post-war Japan, rather than promoting any specific political ideology. It emphasizes resilience and human connection without taking a stance on contemporary political issues.
This Japanese film, set in post-war Tokyo, features a cast that traditionally reflects its cultural and historical setting. The narrative focuses on community and personal lives without engaging in critical portrayals of traditional identities or explicit DEI themes.
The film 'Always: Sunset on Third Street 2' does not feature any identifiable LGBTQ+ characters or themes within its narrative. Consequently, there is no specific portrayal of LGBTQ+ individuals or issues to evaluate, resulting in a 'N/A' rating for its net impact.
The movie does not contain any action or adventure elements.
This film is a direct sequel to "Always: Sunset on Third Street" and continues the story with the same established characters from the previous installment and the original manga. No major or legacy characters have their gender altered from their canonical portrayals.
This film is a Japanese production, a sequel to a Japanese manga adaptation, featuring a Japanese cast portraying characters canonically established as Japanese. There are no instances of characters being portrayed by actors of a different race than their established canon.
Combines user and critic ratings from four sources