Apple TVHello, Love, Goodbye (2019)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 6.8
Overview
A bartender and a domestic helper of Filipino origin living in Hong Kong find themselves falling in love, but they each have different plans for their future.
Starring Cast
Where to watch
Apple TV
Prime VideoBias Dimensions
Political: Center
Diversity: Moderate
Christianity: Positive
Overview
A bartender and a domestic helper of Filipino origin living in Hong Kong find themselves falling in love, but they each have different plans for their future.
Starring Cast
Where to watch
Apple TVPrime VideoDetailed Bias Analysis
Analyzing...
Center
Primary
The film primarily focuses on the personal struggles, sacrifices, and ambitions of individual migrant workers, emphasizing themes of individual responsibility, hard work, and family obligation within a challenging economic context, without explicitly promoting either progressive or conservative political ideologies or advocating for systemic solutions.
The movie features a diverse, predominantly Filipino cast, which is organic to its cultural setting and narrative about overseas workers. The story does not explicitly critique or negatively portray traditional identities, focusing instead on the personal journeys and challenges of its characters.
Secondary
The film portrays Christianity, specifically Catholicism, as an integral part of the Filipino OFWs' cultural identity and a source of their resilience and hope. It is depicted with respect, showing how faith provides comfort and community amidst their struggles abroad without any narrative critique.
The film 'Hello, Love, Goodbye' does not feature any explicit LGBTQ+ characters or themes. Its narrative centers on the romantic relationship and challenges faced by heterosexual Filipino overseas workers in Hong Kong, resulting in no discernible LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
The film "Hello, Love, Goodbye" is an original story with characters created specifically for this production. There is no prior source material, historical record, or previous installment from which a character's gender could have been established and subsequently altered.
Hello, Love, Goodbye is an original film with characters created specifically for this production. There is no prior source material, historical record, or previous installments from which characters' races were established, thus precluding any race swaps.
Viewer Rating Breakdown
6.8
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.3
6.3
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.8
Rewind
(2023)
Political: Leans Right
Diversity: Moderate
Leans Progressive
7.1
Maalikaya
(2025)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
4.3
Hello, Love, Again
(2024)
Political: Leans Left
Diversity: Moderate
Center
6.6
Sagot ng Puso
(1990)
Political: Center
Diversity: Moderate
Progressive
8.0
The Flor Contemplacion Story
(1995)
Political: Strong Left
Diversity: High
Center
7.1
Tirad Pass: The Story of Gen. Gregorio del Pilar
(1996)
Political: Leans Right
Diversity: High
Center
7.1
Utol
(1996)
Political: Center
Diversity: Moderate
Leans Traditional
7.8
Metropolitan
(1990)
Political: Center
Diversity: Low
Progressive
7.9
Stormy Weather
(1943)
Political: Leans Left
Diversity: High
Leans Traditional
8.3
Dil Chahta Hai
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.5
Punch-Drunk Love
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.7
Goodbye Again
(1961)
Political: Center
Diversity: Low
Leans Traditional
6.9
Sadie McKee
(1934)
Political: Center
Diversity: Low
Progressive
8.1
The Shape of Water
(2017)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Traditional
7.1
Border
(1997)
Political: Strong Right
Diversity: Low
Center
6.7
Impromptu
(1991)
Political: Leans Left
Diversity: Low
Traditional
6.7
Vivah
(2006)
Political: Leans Right
Diversity: Low
Traditional
6.9
Sharaabi
(1984)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
The Good Earth
(1937)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Baiju Bawra
(1952)
Political: Center
Diversity: Low