Apple TVSadie McKee (1934)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.9
Overview
A maid has romances with a two-timer, a boozing millionaire and the master of the house.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
Overview
A maid has romances with a two-timer, a boozing millionaire and the master of the house.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores a working-class woman's journey through social classes and relationships, balancing themes of female independence and a critique of wealthy decadence with an ultimate emphasis on individual moral choices and the pursuit of traditional stability and genuine love, resulting in a neutral political stance.
The film 'Sadie McKee,' a 1934 romantic drama, features traditional casting consistent with its era, without explicit diversity or race/gender swaps. Its narrative does not critique traditional identities, maintaining a neutral or positive portrayal.
Secondary
The film "Sadie McKee" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses entirely on the heterosexual romantic and social experiences of its protagonist, Sadie McKee, and the men in her life.
The movie does not contain any action or adventure elements.
The film "Sadie McKee" is an adaptation of Vina Delmar's 1933 novel of the same name. All primary characters, including Sadie McKee, Michael Alderson, and Tommy Wallace, maintain the same gender as established in the original source material.
The 1934 film "Sadie McKee" is an adaptation of Vina Delmar's 1933 novel of the same name. There is no evidence that any character, canonically established as one race in the source material, was portrayed as a different race in the film.
Viewer Rating Breakdown
6.9
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
6.8
6.9
Critic Ratings
N/A
N/A
More Like This
Traditional
6.9
Possessed
(1931)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Grand Hotel
(1932)
Political: Center
Diversity: Low
Traditional
6.5
Our Dancing Daughters
(1928)
Political: Leans Right
Diversity: Low
Traditional
8.1
Flesh and the Devil
(1926)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
The Unknown
(1927)
Political: Center
Diversity: Low
Leans Traditional
7.4
Anna Karenina
(1935)
Political: Center
Diversity: Low
Leans Traditional
7.4
Daisy Kenyon
(1947)
Political: Center
Diversity: Low
Leans Traditional
7.5
Red Dust
(1932)
Political: Center
Diversity: Low
Traditional
7.6
Titanic
(1953)
Political: Leans Right
Diversity: Low
Traditional
7.0
Fatal Attraction
(1987)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Alexander's Ragtime Band
(1938)
Political: Center
Diversity: Low
Leans Traditional
7.2
Dancing Lady
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Place in the Sun
(1951)
Political: Center
Diversity: Low
Traditional
7.5
Tender Mercies
(1983)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
Roman Holiday
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Woman of Paris: A Drama of Fate
(1923)
Political: Center
Diversity: Low
Leans Traditional
8.0
A Woman's Face
(1941)
Political: Center
Diversity: Low
Leans Traditional
8.6
The Heiress
(1949)
Political: Center
Diversity: Low
Traditional
8.0
Way Down East
(1920)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
National Velvet
(1945)
Political: Center
Diversity: Low