Viewer Rating
Combines user and critic ratings from four sources
Checco is a young Apulian entrepreneur dreamer who has opened a sushi restaurant in his Apulia. However, after one month, the restaurant went bankrupt and he chose to emigrate to Africa to escape from debt. Here he adapts to being a waiter in a resort in Kenya, but at the outbreak of a civil war he decides to embark on a stowaway trip on a boat for migrants to Europe and chooses to do it with his African friends. However, he would not like to return to Italy, but rather to go to Liechtenstein where banking secrecy is in force and there is a lower tax burden than in Italy.
Checco is a young Apulian entrepreneur dreamer who has opened a sushi restaurant in his Apulia. However, after one month, the restaurant went bankrupt and he chose to emigrate to Africa to escape from debt. Here he adapts to being a waiter in a resort in Kenya, but at the outbreak of a civil war he decides to embark on a stowaway trip on a boat for migrants to Europe and chooses to do it with his African friends. However, he would not like to return to Italy, but rather to go to Liechtenstein where banking secrecy is in force and there is a lower tax burden than in Italy.
The film leans left by strongly humanizing migrants and critiquing xenophobia through a comedic narrative focused on individual empathy and personal transformation, aligning with progressive values.
The movie features a prominent and diverse cast, with the narrative explicitly critiquing the traditional white, male identity of its protagonist through satire. Its central themes revolve around migration and cultural understanding, highlighting significant DEI elements.
The film critiques the hypocrisy and lack of empathy displayed by some Europeans, often culturally Christian, towards migrants. It satirizes their indifference and superficiality of faith when confronted with human suffering, positioning the audience to condemn these failings.
The film actively challenges anti-Muslim prejudice and stereotypes, primarily through the protagonist's journey and his interactions with Muslim migrant characters. It portrays Muslim individuals with dignity, resilience, and humanity, condemning the bigotry they face and fostering empathy for their plight.
The film 'Tolo Tolo' does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the protagonist's journey and experiences without engaging with queer identity or related issues, resulting in no depiction to evaluate.
The movie does not contain any action or adventure elements.
Tolo Tolo is an original film featuring new characters created for this specific production. There are no pre-existing canonical, historical, or widely established characters whose gender could have been altered.
Tolo Tolo is an original Italian film with no prior source material, historical figures, or previous installments. Therefore, no character had an established race that could have been altered.
Combines user and critic ratings from four sources