When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
The film is a classic romantic comedy that uses an immigration plot as a catalyst for personal growth and romance, rather than as a platform for political commentary. Its central themes revolve around individual transformation, the importance of genuine connection, and finding love, which are largely apolitical.
The movie features a diverse supporting cast, though its main characters are traditionally cast. The narrative focuses on a romantic comedy plot without explicitly critiquing traditional identities or centering DEI themes.
The film includes Ramone, a character whose implied gay identity is depicted through flamboyant, stereotypical traits primarily for comedic relief. This portrayal lacks depth and relies on caricature, using harmful stereotypes for humor without any counterbalancing positive elements, resulting in a problematic net impact.
The film portrays Andrew's family and their community with warmth and respect. Their values, implicitly rooted in Christian traditions like family, community, and love, are presented as wholesome and ultimately transformative for the protagonist, Margaret. The narrative aligns with these virtues, showing them as a positive force.
The movie does not contain any action or adventure elements.
The Proposal is an original screenplay, and all its characters were created specifically for this film. There is no prior source material, historical basis, or previous installment from which characters' genders could have been established and subsequently changed.
The Proposal is an original film from 2009, not an adaptation of existing material or a historical biopic. All characters were created for this specific movie, meaning there is no prior canon or historical basis for their racial identities to be altered.
Combines user and critic ratings from four sources