Atop the ruins of war, top commander JIANG ZIYA is given the task to banish the Nine-tailed Fox Demon who threatens all mortals' very existence. When he discovers the Nine-tailed Fox's life linked to the soul of an innoc...
Atop the ruins of war, top commander JIANG ZIYA is given the task to banish the Nine-tailed Fox Demon who threatens all mortals' very existence. When he discovers the Nine-tailed Fox's life linked to the soul of an innoc...
The film is left-leaning due to its central narrative which critiques a deceptive, powerful authority that sacrifices innocents for its own version of "order," championing individual moral courage and compassion to expose truth and protect the vulnerable.
This Chinese animated film, rooted in its cultural mythology, does not engage with Western-centric notions of traditional casting or explicit DEI-driven recasting, leading to a neutral stance on character representation. Its narrative focuses on universal themes of justice and power, offering philosophical critiques of authority rather than explicitly targeting traditional identities in a modern DEI context.
The animated film 'Jiang Ziya' does not feature any explicit LGBTQ+ characters or themes. Its narrative centers on traditional mythological figures and their quest, without incorporating elements related to queer identity or experiences, resulting in no portrayal to evaluate.
The film features powerful female characters, primarily Xiao Jiu (Su Daji) and the Nine-Tailed Fox Demon, who engage in combat. However, their victories against male opponents are consistently achieved through the use of overwhelming supernatural powers and demonic abilities, rather than skill-based physical combat, martial arts, or melee weapons.
The film adapts characters from Chinese mythology, primarily Jiang Ziya and other figures from 'Fengshen Yanyi'. All major characters whose gender is established in the source material maintain that gender in the movie.
The film is an adaptation of Chinese mythology, and all characters, including the titular Jiang Ziya, are depicted as East Asian, consistent with their canonical and historical origins. No characters established as one race were portrayed as a different race.
Combines user and critic ratings from four sources