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Nobita and his friends under the waters of the Pacific Ocean. Gian and Suneo take Doraemon's underwater vehicle and travel through the Atlantic Ocean, trying to find a treasure ship. Along the way, they discover that the environment gun that Doraemon used to protect them is running out of energy leaving them vulnerable to the sea. Fortunately, they are rescued by some marine creatures.
Nobita and his friends under the waters of the Pacific Ocean. Gian and Suneo take Doraemon's underwater vehicle and travel through the Atlantic Ocean, trying to find a treasure ship. Along the way, they discover that the environment gun that Doraemon used to protect them is running out of energy leaving them vulnerable to the sea. Fortunately, they are rescued by some marine creatures.
The film addresses humanity's impact on the environment through a conflict with an ancient civilization, but its resolution emphasizes universal values like friendship, courage, and the potential for human change, rather than promoting a specific political ideology or systemic critique.
The movie features a cast consistent with its established Japanese anime origins, without explicit DEI-driven casting or recasting of traditionally white roles. Its narrative focuses on adventure and friendship, without explicitly critiquing traditional identities or making DEI themes central to the plot.
The film "Doraemon: Nobita and the Castle of the Undersea Devil" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on childhood adventure and science fiction elements, resulting in no depiction of queer identity within its story.
The film features Shizuka, the primary female character, who participates in the adventure but does not engage in or win direct physical combat against male opponents. Victories against antagonists are typically achieved through the use of Doraemon's gadgets or group efforts, not individual physical prowess from Shizuka.
The film features the established main characters of the Doraemon franchise, whose genders remain consistent with their canonical portrayals. New characters introduced in this specific movie do not constitute gender swaps as they lack prior canonical gender definitions.
The film is an animated adaptation of the Doraemon manga, featuring characters consistently depicted as Japanese. There are no instances where a character canonically established as one race is portrayed as a different race.
Combines user and critic ratings from four sources