Suzu is a shy, everyday high school student living in a rural village. For years, she has only been a shadow of herself. But when she enters "U", a massive virtual world, she escapes into her online persona as Belle, a g...
Suzu is a shy, everyday high school student living in a rural village. For years, she has only been a shadow of herself. But when she enters "U", a massive virtual world, she escapes into her online persona as Belle, a g...
The film is rated 0 (Neutral/Centrist) because its central themes revolve around universal human experiences of trauma, self-discovery, and connection, addressing the ethical use of technology and the importance of empathy and courage without promoting a specific political ideology.
The film 'Belle' showcases diversity within its Japanese cultural context, with characters reflecting various ages and backgrounds, without engaging in explicit race or gender swaps of roles that would be considered traditionally white in a Western framework. Its narrative focuses on universal themes of self-acceptance, trauma, and empathy, and does not critically portray traditional identities.
Belle does not feature any explicit LGBTQ+ characters or themes. The narrative primarily focuses on the protagonist's journey of self-discovery, trauma, and connection in both the real and virtual worlds, without incorporating queer identities or experiences.
The film focuses on emotional and musical narratives within a virtual world. While there are confrontations and dramatic moments, no female character is depicted engaging in or winning direct physical combat against one or more male opponents.
Belle (2021) is an original animated film by Mamoru Hosoda, featuring new characters created specifically for this story. While inspired by 'Beauty and the Beast,' its characters do not have a prior canonical gender established in source material or previous adaptations that could be swapped.
Belle (2021) is an original Japanese animated film loosely inspired by "Beauty and the Beast." Its characters are new creations for this specific narrative, not direct adaptations of pre-existing, racially defined characters from a prior source. Therefore, no race swaps occur.
Combines user and critic ratings from four sources