Viewer Rating
Combines user and critic ratings from four sources
It's yakiniku night for the Noharas! But before they can dig in, they get wrapped up in a sizzling conspiracy and are forced to go on the run.
It's yakiniku night for the Noharas! But before they can dig in, they get wrapped up in a sizzling conspiracy and are forced to go on the run.
The film's central conflict revolves around a family's comedic adventure and their unwavering bond in the face of absurd external forces, driven by the simple desire for a meal. Its primary focus on apolitical themes like family unity and perseverance, rather than explicit ideological promotion, results in a neutral rating.
This Japanese animated film features a cast traditional to its cultural origin, without engaging in explicit DEI-driven casting or race/gender swaps of roles. Its narrative is a comedic adventure that does not critically portray traditional identities or incorporate strong DEI themes.
The film features antagonists, the 'Sweet Boys,' whose effeminate and flamboyant characteristics are played for comedic effect, relying on common Japanese media stereotypes ('Okama' tropes). Their gender expression is used as a source of mockery and contributes to their villainous portrayal, without any affirming or critical counterbalance. The net impact is negative due to the uncritical use of problematic stereotypes.
The movie does not contain any action or adventure elements.
The film features the established characters of the Crayon Shin-chan franchise, all of whom retain their canonical genders as depicted in previous installments and source material. No character established as one gender is portrayed as a different gender.
The film is an animated Japanese production based on an existing manga series. All established characters maintain their original Japanese/East Asian racial depiction, consistent with the source material. There are no instances where a character canonically established as one race is portrayed as a different race.
Combines user and critic ratings from four sources