In the near future, a popular uprising in Mexico City interrupts a wedding held at the home of a wealthy family. After the riots have been quashed, they discover the bride has gone missing and plea with the military to help locate her.
In the near future, a popular uprising in Mexico City interrupts a wedding held at the home of a wealthy family. After the riots have been quashed, they discover the bride has gone missing and plea with the military to help locate her.
The film is left-leaning (-1) because its central thesis critiques extreme social inequality and state repression as the catalysts for societal collapse, aligning with progressive concerns about systemic injustice and power dynamics, despite its bleak depiction of the ensuing chaos.
The movie features a cast that naturally reflects the diverse demographics of its setting. Its narrative strongly critiques traditional power structures and the wealthy elite, portraying them negatively as central to the film's social commentary.
The film depicts a society where the nominally Christian wealthy elite are morally bankrupt, selfish, and cruel, with their lavish lifestyle contrasting sharply with widespread suffering. The narrative offers no positive portrayal of Christian faith, institutions, or adherents acting with compassion or integrity. This implicitly critiques the religion's societal impact or its followers' failure to embody its values amidst profound social collapse.
The film "New Order" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on class conflict, social uprising, and the breakdown of societal order, with no elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The film "New Order" is an original story with characters created specifically for this production. There is no prior source material, historical figures, or previous installments from which character genders could have been established and subsequently changed.
New Order is an original film with an original screenplay and characters. There is no prior source material, historical record, or previous installment to establish a canonical race for any character. Therefore, no character can be considered race-swapped.
Combines user and critic ratings from four sources