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Combines user and critic ratings from four sources
In a small community near Gothenburg three members of a family priest brutally murdered. The walls are covered with up-and-inverted pentagram - the symbol of the devil's face - painted there by the victims blod.Kriminalinspektör Irene Huss drag quickly parallels to a previous case in which a priest was murdered. Even in that case there were satanic connections. But the deeper Irene Huss digs in case the more convinced she becomes that the clergy are not always as pious as they should be
In a small community near Gothenburg three members of a family priest brutally murdered. The walls are covered with up-and-inverted pentagram - the symbol of the devil's face - painted there by the victims blod.Kriminalinspektör Irene Huss drag quickly parallels to a previous case in which a priest was murdered. Even in that case there were satanic connections. But the deeper Irene Huss digs in case the more convinced she becomes that the clergy are not always as pious as they should be
As a crime thriller, the film primarily focuses on the procedural aspects of a murder investigation and the psychological dimensions of its characters, without explicitly promoting a specific political ideology or offering a partisan solution to societal problems.
The movie features primarily traditional casting, consistent with its setting and genre, without explicit race or gender swaps of established roles. Its narrative focuses on the crime and investigation, and does not explicitly critique traditional identities or center on strong DEI themes.
A comprehensive evaluation of LGBTQ+ characters and themes in 'Irene Huss 4: Glasdjävulen' cannot be performed due to the unavailability of specific film content details. Therefore, no identifiable LGBTQ+ presence can be confirmed.
The movie does not contain any action or adventure elements.
This film is part of a series based on Helene Tursten's novels. The main character, Irene Huss, remains female as established in the source material. There are no documented instances of other canonically established characters undergoing a gender swap in this installment.
The film is part of a Swedish crime drama series based on novels. Key characters, including Irene Huss, are consistently portrayed by actors whose race aligns with their established depiction in the source material and prior installments. No instances of a character canonically established as one race being portrayed as a different race were identified.
Combines user and critic ratings from four sources