Set in a tropical resort, it follows the exploits of various guests and employees over the span of a week....
Set in a tropical resort, it follows the exploits of various guests and employees over the span of a week....
The show consistently critiques systemic issues of wealth inequality, class privilege, and the destructive impact of unchecked power, aligning its core concerns with progressive ideology despite its nuanced satire of individual hypocrisy.
The movie demonstrates significant DEI through its narrative, which consistently and explicitly critiques traditional identities, particularly wealthy white privilege and masculinity. While the casting includes visible diversity, it does not feature explicit race or gender swaps of traditionally white roles.
The White Lotus features several LGBTQ+ characters, but their portrayals often lean into problematic territory. In Season 2, a prominent gay character is depicted as a manipulative villain whose identity is intertwined with a murderous plot and exploitative relationships. Season 1 features a gay character whose arc is marked by self-destruction and a tragic end. The series lacks affirming depictions to counterbalance these negative portrayals.
The movie does not contain any action or adventure elements.
The White Lotus is an original series with all new characters created for the show. There are no pre-existing canonical or historical characters whose gender could have been swapped.
The White Lotus is an original television series, not an adaptation of pre-existing material or a historical biopic. All characters are new creations for the show, meaning there is no prior canonical or historical race for any character to be swapped from.
Combines user and critic ratings from four sources