Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.
Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.
The film's dominant themes align with progressive intellectual values by challenging rigid moral absolutism, conventional social norms, and simplistic media narratives, advocating for a more nuanced and complex understanding of human behavior and relationships, consistent with the director's stated progressive perspective.
The film "May December" demonstrates significant DEI characteristics through its intentional casting of an Asian actor in a central role, which introduces an intersectional dimension to the story. Furthermore, its narrative explicitly interrogates traditional patriarchal power structures, challenges conventional gender and power dynamics, and critically examines the ethics of storytelling and representation, making these themes central to its exploration of complex relationships and societal norms.
May December explores queerness through an aesthetic and thematic lens, depicting it as an attitude challenging societal norms. It features an overtly queer character, Georgie Atherton, who questions normalcy, and portrays complex female dynamics with an 'inherently queer' sensibility, reflecting a nuanced and non-judgmental approach to identity and morality.
The movie does not contain any action or adventure elements.
The film "May December" portrays its characters, including the main protagonists Gracie and Joe, with genders consistent with their established source material and historical basis. No characters exhibit a gender swap from their canonical or historical representation.
The film's casting aligns with the characters' implied or unspecified racial/ethnic backgrounds. No character was established as one race in source material and then portrayed as a different race in the film, indicating ethnic and phenotypical authenticity.
Combines user and critic ratings from four sources