Heaven Can Help (1989)

The film's likely focus on an individual's personal journey and comedic resolution of challenges, without engaging in explicit political commentary or advocating for specific societal structures, places it squarely in the neutral category.

This 1994 film exhibits traditional casting practices without apparent intentional race or gender swaps of established roles. The narrative also does not appear to critique traditional identities or center on explicit DEI themes, aligning with conventional storytelling from its era.