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In the years following the sign of Jesus’ birth the Nephites grow wicked. Then a great storm and earthquakes ravage the land, followed by three days of darkness. When hope seems lost, the resurrected Savior appears in glory to the Nephites. He ministers, preaches, and calls disciples to His work. His perfect love and teachings cause the Nephites to be spiritually changed and live peacefully.
In the years following the sign of Jesus’ birth the Nephites grow wicked. Then a great storm and earthquakes ravage the land, followed by three days of darkness. When hope seems lost, the resurrected Savior appears in glory to the Nephites. He ministers, preaches, and calls disciples to His work. His perfect love and teachings cause the Nephites to be spiritually changed and live peacefully.
The film's central thesis explicitly promotes traditional Christian values and frames the life of Jesus as "The Savior in America," thereby aligning with conservative ideology that often connects faith to national identity and moral foundations.
The animated film portrays its characters, including the central figure of Jesus, in a manner consistent with traditional religious interpretations, without explicit racial or gender recasting for diversity. The narrative focuses on religious teachings and does not engage in critical portrayals of traditional identities or center on explicit DEI themes.
The film depicts Jesus Christ, a historical figure of Middle Eastern descent, with light skin and European features. This portrayal constitutes a race swap from his documented historical race.
The animated Christian film 'The Savior in America' does not feature any discernible LGBTQ+ characters or themes. The story centers on historical events and religious lessons, with no elements related to queer identity present in its plot or character arcs.
The movie does not contain any action or adventure elements.
This animated short film adapts the biblical story of Jesus' birth. Key characters like Mary, Joseph, and Jesus maintain their historically and canonically established genders, with no evidence of gender swaps from the source material.
Combines user and critic ratings from four sources