A live broadcast of a late-night talk show in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.
A live broadcast of a late-night talk show in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.
The film's central critique targets the commercialization of media and the prioritization of profit and ratings over ethical considerations, explicitly linking these issues to a broader critique of American capitalism.
The movie *Late Night with the Devil* focuses on psychological horror and media ethics, with minimal engagement with Diversity, Equity, and Inclusion themes. While it includes female characters in significant roles, these aspects are not presented as a central focus on diversity or inclusion, and the narrative does not critique traditional identities or foreground social justice issues.
The film uses Christian concepts of the devil, possession, and exorcism as central elements of its horror narrative. However, it critiques the exploitation of religious fear, media sensationalism, and traditional Church authority tied to these beliefs, portraying them as problematic and manipulated for entertainment and ratings.
Late Night with the Devil does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on a supernatural horror story set during a 1970s talk show, exploring themes of fame and desperation without addressing LGBTQ+ issues or identities.
The movie does not contain any action or adventure elements.
Late Night with the Devil is an original film, not an adaptation of pre-existing source material or historical events. Consequently, there are no characters with established canonical or historical genders that could be portrayed differently on screen.
The film's characters either have no specified race in the source material or their casting aligns with their implied or historical background. The limited ethnic diversity introduced does not contradict the historical setting or established character races, as no character was canonically established as a different race.
Combines user and critic ratings from four sources