150 million years ago, various aliens were living in harmony under the God of the Earth, Elohim. But the earth is actually in danger because there was a plan to annihilate the earth by Dahar, who was from the dark side of the universe.
150 million years ago, various aliens were living in harmony under the God of the Earth, Elohim. But the earth is actually in danger because there was a plan to annihilate the earth by Dahar, who was from the dark side of the universe.
The film implicitly promotes a right-leaning worldview through its emphasis on objective spiritual laws, a hierarchical divine order, and individual spiritual responsibility as the solution to cosmic conflict, aligning with conservative values of tradition and order.
The movie, as a Japanese anime, does not feature explicit race or gender swaps of traditionally white roles, with its character designs adhering to typical anime aesthetics. Its narrative primarily explores spiritual and cosmic themes, rather than engaging in critique of traditional identities or centering Western DEI themes.
While acknowledging Buddhist figures, the film positions traditional Buddhism as an incomplete spiritual path, with its truths fully realized and superseded by the teachings of El Cantare/Happy Science.
The film reinterprets Christian figures and doctrines within the Happy Science cosmology, presenting Christianity as an incomplete truth ultimately superseded by the teachings of El Cantare.
The film's narrative framework subordinates Islam by reinterpreting its prophets and teachings as part of a larger, yet incomplete, spiritual lineage leading to El Cantare.
Judaism's foundational concepts, like Elohim, are recontextualized within the Happy Science narrative, implying it represents an earlier, less complete stage of spiritual revelation.
The film "The Laws of the Universe: The Age of Elohim" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on spiritual battles, alien civilizations, and philosophical concepts without engaging with queer identities or experiences.
The movie does not contain any action or adventure elements.
The film features original characters and interpretations of spiritual entities within its specific cosmology. There is no evidence of characters being adapted from prior source material or history with a different established gender.
This animated film features original characters, spiritual beings, and highly stylized anime representations. There is no evidence of any character being canonically, historically, or widely established as one race and then portrayed on screen as a different race.
Combines user and critic ratings from four sources