In a remote Irish village, a damaged Finbar is forced to fight for redemption after a lifetime of sins, but what price is he willing to pay? In the land of saints and sinners, some sins can't be buried.
In a remote Irish village, a damaged Finbar is forced to fight for redemption after a lifetime of sins, but what price is he willing to pay? In the land of saints and sinners, some sins can't be buried.
The film is set during a highly politicized conflict (The Troubles) but maintains a neutral stance by emphasizing complex loyalties, moral ambiguities, and the blurred lines between heroism and villainy, ultimately championing individual moral choice and redemption over any specific political ideology.
The movie's casting is traditional for its historical Irish setting, featuring characters typical of the region and era without explicit DEI-driven recasting. The narrative explores political and social dynamics during the Troubles, focusing on themes of justice and redemption, rather than explicitly critiquing traditional identities or centering broader DEI themes.
The film portrays Irish Catholicism as a significant cultural and moral backdrop, exploring themes of conscience, redemption, and making peace with God. It treats the religion with nuance and depth, showing characters grappling with its principles and using the church as a setting for reflection and confrontation, rather than depicting it as inherently problematic.
In the Land of Saints and Sinners focuses on political violence and community dynamics during the Troubles in 1974 Ireland. The film's narrative centers on themes of justice and redemption, primarily through its male characters. There is no identifiable presence or exploration of LGBTQ+ characters or themes within the movie's plot or character arcs.
The film features Doireann, a female character who leads a group of militants and is involved in conflict and violence. However, the provided information does not describe any specific scenes where she or any other female character defeats one or more male opponents in direct physical combat, such as hand-to-hand or melee weapon fights.
The film introduces original characters, including a prominent female antagonist, Doireann McCann, in a significant role. There is no indication that any character was previously established as a different gender in source material, history, or prior adaptations. The gender roles align with the characters' original identities within the film's narrative.
The film is an original story set in 1974 Ireland, featuring characters and cast consistent with the historical and ethnic context of the period. There are no pre-existing characters from source material or real historical figures whose race has been altered.
Combines user and critic ratings from four sources