A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
The film is an apolitical comedy centered on a fake family's misadventures, ultimately championing universal themes of finding belonging and personal responsibility rather than promoting specific political ideologies.
The movie features traditional casting with no explicit DEI-driven recasting of roles. Its narrative does not critique traditional identities or center on explicit DEI themes, focusing instead on comedic situations.
The film's portrayal of LGBTQ+ themes, primarily through Kenny's implied sexuality, is largely problematic. Humor is often derived from his discomfort, naivety, and a non-consensual act, reinforcing stereotypes rather than offering an affirming or respectful depiction.
The film portrays the explicitly Christian Fitzgerald family as genuinely good-hearted, kind, and ultimately helpful to the protagonists. While their piety provides comedic contrast to the Millers' lifestyle, the narrative does not satirize or condemn their faith, but rather presents it as a source of their positive character traits.
The movie does not contain any action or adventure elements.
The film "We're the Millers" is an original story with characters created specifically for this production. There is no prior source material, historical record, or established canon from which any character's gender could have been changed.
We're the Millers is an original film with no prior source material, historical figures, or previous adaptations. All characters were created for this specific movie, meaning there is no established canonical race to be altered.
Combines user and critic ratings from four sources