After being blinded in a coup against the king, Joseon's greatest swordsman goes into hiding, far removed from his city's anguish. But when traffickers kidnap his daughter, he has no choice but to unsheathe his sword once more.
After being blinded in a coup against the king, Joseon's greatest swordsman goes into hiding, far removed from his city's anguish. But when traffickers kidnap his daughter, he has no choice but to unsheathe his sword once more.
The film leans right due to its emphasis on individual heroism and responsibility as the primary solution to tyranny and corruption, coupled with themes of protecting family and nation, and skepticism towards official authority.
The film features a cast that is traditional for its South Korean historical setting, without engaging in explicit DEI-driven casting or recasting of traditionally white roles. Its narrative, focused on historical action, does not critically portray traditional identities in a DEI context, maintaining a neutral or positive framing.
Based on available plot summaries and character descriptions for 'The Swordsman' (2020), no identifiable LGBTQ+ characters or themes are present within the film's narrative. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The film does not feature any female characters who engage in direct physical combat against male opponents. The primary female character, Tae-ok, is a non-combatant and is mostly in need of rescue throughout the story.
The Swordsman (2020) is an original historical action film. Its main characters are not adaptations of pre-existing source material or historical figures with established canonical genders, therefore no gender swaps occur.
The Swordsman (2020) is an original South Korean historical action film. Its characters were created for this specific movie, meaning there is no prior source material or historical record to establish their race before this film's production. Therefore, no race swap occurred.
Combines user and critic ratings from four sources