Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.
Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.
The film primarily functions as a historical comedy, deriving humor from the anachronistic clash between medieval aristocratic characters and the French Revolution. It satirizes the excesses of both the old order and the revolutionary period, resulting in a balanced, apolitical comedic narrative.
The movie employs traditional casting without explicit race or gender swaps of established roles. Its narrative focuses on historical comedy and culture clash, rather than critically portraying traditional identities or centering on explicit DEI themes.
The film uses the medieval characters' devout Christian beliefs as a source of comedic anachronism, contrasting them with the anti-clerical French Revolution. While their faith leads to humorous misunderstandings, the narrative portrays the characters with sympathy and does not condemn Christianity itself, but rather the clash of eras.
The film "The Visitors: Bastille Day" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses entirely on historical comedy and time-travel antics, without incorporating queer identities or experiences into its plot.
The movie does not contain any action or adventure elements.
The film is a sequel in an established series. The primary returning characters, Godefroy and Jacquouille, maintain their original male genders. No other established characters from prior installments or historical figures are portrayed with a different gender.
The film is a sequel featuring the original main characters, Godefroy de Montmirail and Jacquouille la Fripouille, played by their original white actors. No established legacy characters or historical figures are portrayed by actors of a different race.
Combines user and critic ratings from four sources